Essays on the movie rear window -

Free essay on Voyeurism In Hitchcock

What's even weirder (or equally weird; I'm no expert/arbiter of weirdness) is that, arrangedin a certain order, these moving pictures can make us laugh, or cry, or jump with fright. But why? In this video, Alfred Hitchcock, in his matchlessmanner, explains one of the fundamental principles of film editing: The Kuleshov Effect, named for Russian director Lev Kuleshov (here's a great article on the effect and the director) was revolutionary at the time it was discovered in the first decades of the 20th century. Rear Window, a film he called his "most cinematic"because it was "told only in visual terms" (and in the screenplay, there is, indeed, no dialogue for the first four pages) we can see how the Kuleshov effect provides much of the film'sdrama.

Check out the original: It's almost impossible to underestimate the influence of the Kuleshov effect. In fact, Hitchcock understood it so thoroughly that he based much of his style on the relationship of this three shot.

Each day, and often into the night, he has little to do but gaze out his rear window at the activities of his neighbours in the surrounding apartments. Jeffs main visitors are his fiance Lisa Fremont (Grace Kelly a high-fashion model, and.

Photographer Jeff not only suddenly finds himself immobilised by a broken leg, but his beautiful. Since much of the film consists of Jimmy Stewart, in either medium shot or closeup, looking out his window - - followed by what he sees - -and then his reaction to it, it could be argued that, to a great extent, Rear Window is the Kuleshov Effect.